
Which is the best action cam for low light? I compared GoPro Hero 10 to the
GoPro Hero 10 officially launched yesterday and YouTubers have been falling over themselves to give rave reviews to the Hero 10. Watching the videos, you’d get the impression that this is the best action cam ever made. Hero 10 is definitely better than preceding GoPro Heros, but is it better than, let’s say, the
DISCLOSURE
I compared the Hero 10 and
In Part 1 of the test, I mounted the Hero 10 and
STABILIZATION COMPARISON
For the stabilization comparison, I made sure to have a similar field of view in both cameras. This is critical because both of them rely on electronic stabilization, which means the cameras use the data on internal gyroscopes to detect movement, then they shift the image in the opposite direction to neutralize the movement. To make electronic stabilization work, the video has to be cropped. The tighter the crop, the more stabilized the footage will be at the expense of a smaller field of view. Therefore, to make my comparison fair, I chose the field of view on the One R 1-inch mod that appeared closest to the field of view of the Hero 10.
For the Hero 10’s Wide mode with High stabilization, I used the Ultra Wide mode on the
To my surprise, I found that the
I honestly didn’t expect this result given how many YouTubers have given such glowing reviews to the Hero 10, including its stabilization. Looking back at the results from other YouTubers, I see how the field of view in their comparisons often don’t match. To the extent that a stabilization comparison uses a wider field of view for the One R, it handicaps the One R’s stabilization. Please keep this in mind as you look through other reviews.
IMAGE QUALITY
I also compared the image quality between the Hero 10 and the
It was not practical to use manual exposure because the light conditions kept changing drastically. Nor was it possible to dial in a specific exposure compensation because with auto exposure, it appears that both cameras adjust their exposure at different times. An exposure compensation adjustment that would make them look similar in one scene would not work in other scenes.
Instead, because One R usually had a more conservative exposure, I pushed the exposure of the One R 0.7EV during video editing in Premiere to match the exposure of the Hero 10. Rather than conferring an advantage on the One R, pushing the One R’s exposure actually handicapped it because pushing an image in post creates more noise than shooting at the correct ISO or exposure. This is most evident in Part 3 where I had to push the exposure of both cameras because the exposures were too dark at low ISOs (it also revealed their exposure latitude).
With One R pushed to match the exposure of the Hero 10, the Hero 10 has slightly more visible luminance noise but much more detail. This suggests that in low light, Hero 10 uses a more aggressive noise reduction that removes luminance noise but reduces the detail. In that regard, in areas of low light, Hero 10 looks smeared.
As for chroma noise, the Hero 10 has much more chroma noise compared to the One R 1 inch mod. The Hero 10’s chroma noise appears as color blotches and blue-tinted shadows.
Exposure latitude
I tested exposure latitude by putting the One R and Hero 10 side by side on a tripod, shooting at fixed shutter speeds of 1/30 sec and fixed ISOs from ISO 100 to 6400. At low ISOs, both cameras appeared dark and I pushed the exposure to the equivalent of ISO 3200 (e.g. ISO 100 pushed +5EV) and I showed the image quality both before and after pushing.
Not surprisingly, the One R has far more exposure latitude than Hero 10 and was able to recover a lot more shadow detail. When pushed 4EV or 5EV, the One R colors in the shadows become tinted as a result of RGB channels clipping at different rates. To remedy this, I adjusted the black levels to clip the channels evenly.
Colors
One area where I think Hero 10 did better is its color accuracy. GoPro is known for its color science and the Hero 10 did not disappoint even in low light. I did not shoot with a color chart, but subjectively, it seemed to me that Hero 10 had more accurate color hues, albeit a little saturated.
Conclusion
For low light videos, the
I will do another test in daylight.
Thanks for posting… What is nice to see is that the insta isn’t blowing the highlights like the Gopro is… its exposure seems to be a bit flatter, and skewed to protecting the highlights.
Thats a really big deal for folks like us, we can then grade the image and still retain highlight detail as it was protected.
With the GoPro the highlights get blown and there isn’t a way to then recover…
Im far less worried about the noise, or even the slightly warmer image, its that ability to preserve highlights that I want.
Seeing that demonstrated in your video was great, and reassuring as we seek to improve our action camera image quality.